Glenys Groves        (Soprano)

 

 

Glenys toured with the D'Oyly Carte Opera Company, and then appeared in several West End shows. She sings in concerts and music festivals in the UK and abroad and regularly works with the Ambrosian Singers. A member of the Royal Opera, Covent Garden her recent roles include Chief Hen (Cunning Little Vixen), Lady-in-waiting (Les Huguenots), Newspaper Seller (Death in Venice), Modestina (Il Viaggio a Reims), Milliner (Der Rosenkavalier), Page (Lohengrin), Bridesmaid (Marriage of Figaro), Apparition (Macbeth), Olga (The Merry Widow) and Ida (Die Fledermaus). This latter production included the televised farewell performance of Dame Joan Sutherland, in the company of Marilyn Horne and Pavarotti. She is involved with the ROH Education Department in workshop performances in schools. She has appeared at Chichester and Wexford festivals. For BBC Radio Glenys has played a solo part in the majority of the broadcast series of Gilbert and Sullivan operettas, conducted by Sir Charles Mackerras. Other radio programmes have included Songs from the Shows and Friday Night is Music Night. Glenys has also appeared as guest soloist in several concerts with the celebrated Black Dyke Mills Brass Band. Recently, Glenys joined leading trumpet virtuoso James Watson and Jennifer Partridge, one of Britain's foremost piano accompanists, to form a new ensemble called ‘Vox Ottone’. Their first CD, entitled ‘Trumpet and Soprano in Duet’ has been released on the ASV label. In collaboration with a Royal Opera colleague, mezzo-soprano Andrea Hazell, Glenys and Jennifer have recorded a second CD, of Victorian ballads and duets, entitled ‘On Wings of Song’.

 

Scilla Stewart        (Mezzo Soprano)

 

 
 

After completing Bachelor of Music (Auckland University, New Zealand), and LRSM (piano), Scilla continued studies at the Royal College of Music. In the same year she was a major prize-winner at the Royal Overseas League Competition and performed at St James Palace for Princess Alexandra and was a ‘Young Performer’ at the Bath Festival. A great interest in singing developed and she began studies with Eduardo Asquez. Recitals and concert tours have taken her worldwide - to the Lincoln Centre, New York; the Edinburgh Festival; Australia; the Far East and New Zealand. Recent operatic roles include Amneris (Aida), Orfeo, Charlotte (Werther), Ernestine (Perchance to Dream), Dorabella (Cosi Fan Tutte), Marina (Boris Godunov), Ulrica (Masked Ball), Azucena (Trovatore) and Carmen.  Scilla has also performed the role of Katisha in Bromley's "Opera in the Park" production of The Mikado and Ruth in The Pirates of Penzance.  She recently played the role of The Mother in Amahl and the Night Visitors at the Windmill Theatre, Littlehampton in a production that she also co-directed.  Oratorio performances have included Verdi's Requiem at Rochester Cathedral and Janacek's Glagolitic Mass at the Royal Festival Hall.  She has made television appearances on BBC2 and ITV.

 

Roy Gregory        (Baritone)

 

 
 

Sheffield born Roy trained at The Royal Academy of Music. His extensive experience includes the post of Musical Director and pianist for The Royal Ballet For All on their British tours. His work on operatic recordings includes Verdi's  Attila, Macbeth, Nabucco, and La Traviata and Bizet's Carmen, coaching both chorus and soloists including Carreras and Domingo.  Roy's versatility as a musician spans from working on many film soundtracks, including Star Wars, Evita with Madonna, Yentl with Barbra Streisand, and The Two Ronnies. He has been Musical Director of a number of hit shows including Chicago, A Chorus Line, Fiddler on the Roof, Half a Sixpence and Scrooge, as well as Royal Variety Shows. As a teacher of singing he is much sought after by the casts of West End musicals and singers from the worlds of pop and opera. As a singer he has performed roles in many venues around the country, including Tonio in Pagliacci, Marcello in La Bohème, and Frank Maurant in Street Scene By Kurt Weill. He has also sung with The Netherlands Opera , at La Fenice,Venice and at the Royal Opera, Covent Garden.

 

Rodney Gibson        (Baritone)

 

 

Born in Winchester, Rodney trained at the Royal College of Music and then continued his studies with Paolo Silveri in Rome and Raimund Herincx in London.  He was a finalist in the Richard Tauber Competition. Making his debut in Rome, he appeared in musical theatre throughout Italy and in opera throughout the UK. His many performances for the Royal Opera include roles in Billy Budd, Mathis der Maler, Les Huguenots, La Boheme, Eugene Onegin, Un Ballo in Maschera, Simon Boccanegra, La Traviata and Salome.  Recordings include La Traviata (with Angela Gheorghiu) (CD and video) and he is featured on the recording of duets with Gheorghiu and Alagna.  He also appears on recordings of Simon Boccanegra and Salome for the Royal Opera and the BBC drama The Lakes.  Rodney performed the role of Ping (Turandot) at the Royal Albert Hall with the Royal Philharmonic Orchestra.  He was the baritone soloist in Mr Worldly Wise for the Royal Ballet. Recent engagements include a UK tour of Phantom of the Opera.  In addition to his operatic career, he is an experienced oratorio and concert artist.  He has performed most of the major oratorios throughout Britain and abroad.

 

Jonathan Fisher        (Baritone)

 
                                

He studied at the GSMD with Bernard Dickerson and then at the Cologne Musikhochschule with Franz Müller-Hauser.  For The Royal Opera he has performed roles in Macbeth, Chérubin, Death in Venice, The Midsummer Marriage, Simon Boccanegra, The Pilgrim’s Progress, Paul Bunyan, La battaglia di Legnano, Die Entführung aus dem Serail, Jenůfa, La rondine, Roberto Devereux, Madama Butterfly, Sweeney Todd, Lady Macbeth of Mtsensk, The Greek Passion and Eugene Onegin as well as the baritone solo in The Royal Ballet’s Mr Worldly Wise. He sang Henry Higgins (My Fair Lady) with the Royal Opera Chorus for the Covent Garden Festival.

 

 

 

 

Luke Price        (Tenor)

 

 

Luke Price was a chorister at Westminster Cathedral and later studied singing at Trinity College of Music. Roles at college included Lensky (Eugene Onegin), Shepherd (L’Enfant et Les Sortileges) and the title role in Tuchapsky’s The Undertaker with Patrick Libby and Victor Morris.  Other roles include Monostatos (Magic Flute), Camille (The Merry Widow) and Arturo (Lucia di Lammermoor).  Luke has worked for a number of opera companies both in Britain and abroad, including Opera de Lyon, Paris Chatalet, Salzburg Festival Opera, Glyndebourne Festival and Touring Opera and Denederlandse Opera.  Luke played the Apprentice in Die Meistersingers both with the Denederlandse and The Royal Opera.  Luke is now a full time chorister at the Royal Opera House and made his debut as a Jannisary in Die Entfuhrung aus dem Serail and recently played the role of Third Squire in Parsifal under Sir Simon Rattle and the Drunken Young Man in Lady Macbeth of Mtsensk.  He has performed many times on the concert platform, both in recitals and oratorios, including Bach’s Mass in B Minor and Magnificat, Mozart’s Requiem, Rossini’s Messe Sollenelle and Ramirez’s Navidad.

                                            

 

 

Philip Slane       (Tenor)

 

 

Philip began his musical career as a chorister at Winchester Cathedral, later studying as a scholar and prize winner at the Guildhall School and the Royal College of Music. He is well established as a concert singer across Europe and further afield, having sung most major oratorios, with conductors such as John Eliot Gardiner, as soloist in New York, Sydney, Taipei and in France, Germany and in England’s finest cathedrals. Particular works he performs include Britten (Serenade for Tenor, Horn and Strings; St. Nicholas); Verdi (Requiem); Mendelssohn (Elijah); Dvorak and Rossini (Stabat Mater); Handel (Messiah; Samson; Israel in Egypt; Saul); Bach (St John and St Matthew Passion) as Evangelist; and Elgar (The Dream of Gerontius). Whilst a member of The Royal Opera, Philip performed several supporting roles, understudying Don Basilio/Don Curzio, Marriage of Figaro; Gaston, La Traviata; as well as singing Alfredo, La Traviata, in concert in Wales. Other operatic roles for touring companies include Rodolfo, La Boheme and Cavaradossi, Tosca, for London Touring Opera and currently as Don Jose, Carmen, for Garden Opera. He is also known for his comic portrayals of Sellem, Rakes Progress, a role he sang under Jac Stien with the Winterthur Collegium Orkester, and Don Basilio for some five productions to date, including the Edinburgh Festival. Philip recently created the role of Thomas Becket for the recording of David Reeves’ Becket: The Kiss of Peace on English Gramophone, with Martin Neary, premiered for the Canterbury Cathedral Festival. Most recent concerts include Dvorak Stabat Mater; Bach and both Mozart masses in C; Evangelist St John Passion; Verdi Requiem, Handel Messiah and Haydn Paukenmesse in Florence and Rome with Stephen Hope. Philip maintains his choral background with regular visits to sing with St Paul’s Cathedral Choir for services, recordings and broadcasts. Since moving from London he has combined his performing with singing teaching at Wellingborough School.

 

 

Stephen Hill        (Tenor)

 

 

Stephen was born and educated in Ashbourne, Derbyshire.  He made his South Bank debut with a performance of Bach's St Matthew Passion at the Royal Festival Hall conducted by Sir David Willcocks. His West End credits include Sweeney Todd at Drury Lane, Jeeves Takes Charge at the Fortune Theatre and Cats at the New London Theatre, where Stephen was the Production Vocal Director for 12 years.  He has also appeared at many Festivals both at home and abroad, including Edinburgh, where he sang the role of the Italian Tenor in Der Rosenkavalier.  Stephen has appeared as soloist for many BBC Radio 2 programmes, including Songs from the Shows and Friday Night is Music Night. For many years Stephen directed his vocal group, The Stephen Hill Singers, who made frequent recordings for radio, television and films.  They also appeared on The Royal Variety and Children's Royal Variety Shows, and were the backbone for the BBC Radio 2 series of musicals in which Stephen appeared in all 24 editions, either as Vocal Director or in one of the lead roles. His most notable credits include The Caliph (Kismet), Mr Erlanson (A Little Night Music), Ceruti (The Dancing Years), Carshott (Half a Sixpence), Harry (My Fair Lady), Peter (Jesus Christ Superstar), Uncle Jeff (Mame), Ralph (Kiss Me Kate), Larry (A Chorus Line) and Roscoe in Stephen Sondheim's Follies which was recorded live at Drury Lane in the presence of the composer. Very much in demand as a vocal coach, director and arranger, Stephen is Choral Director of the Music Theatre Degree Course at the Royal Academy of Music.

 

(October 2009)